While Hollywood contemplates another Alien vs. Predator film, the perfect template has been hiding in plain sight for over three decades. Dark Horse Comics‘ original 1990 crossover series didn’t just launch the concept – it crafted a story worthy of both iconic franchises.

The original comic storyline begins with a masterful setup: Predators maintaining a captured Xenomorph Queen, harvesting her eggs to seed planets for future hunts. This concept, which briefly appeared in the 2004 film, demonstrates far more sophistication in its comic form, where the Predators’ methodology and hierarchy receive proper exploration.

The narrative centers on Planet Ryushi, where Predators have strategically planted Xenomorph eggs. What unfolds is far more complex than simple monster-versus-monster action. The comics introduce Machiko Noguchi, a corporate representative who evolves into a warrior after witnessing the devastating collision of these two species. Her journey culminates in earning the respect of a Predator known as “Broken Tusk,” who marks her as an honorary member of their hunting culture. This relationship between human and Predator exhibits the depth missing from the film adaptations. The comic series explores honor, survival, and cultural exchange while delivering spectacular action sequences involving uniquely mutated Xenomorphs that take on characteristics of their non-human hosts.

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The potential for a faithful adaptation has increased significantly in recent years. 20th Century Studios president Steve Asbell recently hinted at a new approach to the crossover, suggesting future iterations would be “organically created” through character development rather than simple monster mashups. This evolution in studio thinking aligns with recent successes in both franchises. Prey demonstrated how thoughtful character development and cultural authenticity could revitalize the Predator series, placing a Comanche warrior’s personal journey at the forefront while honoring the franchise’s action-horror roots. The film’s success proved audiences will embrace fresh perspectives when they’re executed with care and respect for the source material.

Meanwhile, projects like Alien: Romulus and Noah Hawley’s television series signal a willingness to explore the Xenomorph mythology from new angles, suggesting the studio understands these properties need more than just monster-driven spectacle to resonate with contemporary viewers. This shift toward character-focused storytelling and expanded world-building indicates the time might finally be right for a more nuanced approach to combining these iconic properties.

The comic series Fire and Stone provides another compelling blueprint, demonstrating how to weave multiple storylines into a coherent epic. The series follows interconnected narratives across different eras, including the aftermath of Prometheus, connecting characters and plot threads through both franchises. With its mix of survival horror, interstellar exploration, and intense action, the series showcases how multiple storylines can enhance rather than dilute the core elements of both properties. Its structure – featuring four mini-series that culminate in a unifying conclusion – offers a template for the kind of expansive, interconnected storytelling that modern audiences have come to expect from franchises like the MCU while maintaining the dark, atmospheric tension both properties demand.

The original comics also tackled themes that resonate more strongly today. The corporate exploitation angle, environmental concerns, and questions of cultural understanding could provide rich territory for contemporary filmmakers. Modern Hollywood’s emphasis on meticulous world-building and franchise preservation suggests the industry is finally equipped to deliver the sophisticated adaptation these properties deserve. Earlier film attempts suffered from prioritizing spectacle over substance. The 2004 film and its 2007 sequel achieved commercial success but failed to capture the deeper elements that made the comic series compelling. Today’s franchise landscape, however, favors the kind of careful world-building and character development that made the original comics successful.

With both franchises currently enjoying creative revivals, the opportunity exists to see collaborative success between them finally. By returning to the source material and embracing its more ambitious elements, filmmakers could create something that honors both franchises while charting new territory. The comics proved these properties could coexist without diminishing either’s impact. Now, with improved technology and smarter storytelling, cinema might finally be ready to do the same.

The post The Best Blueprint for Alien vs. Predator on the Big Screen Is in the Comics appeared first on ComicBook.com.

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